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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Queen Victoria

About Face article

Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.

20/20 launch speech

About Face article

Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.

Why do painted portraits still matter?

Magazine article by Sandy Nairne, 2006

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Rugby great a fine addition to Portrait Gallery Collection

21 March 2017

Archived media releases 2017

A portrait of Australian rugby great, Dr Mark Loane AM MBBS FRANZO FRACS, is the latest addition to the National Portrait Gallery’s permanent collection. The work is the final in a series of three commissioned portraits of Australian rugby luminaries funded by Gallery benefactor, Mr Patrick Corrigan AM.

The God-shaped hole

Magazine article by Michael Desmond, 2010

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

Grateful admiration and brotherly love

About Face article

In the earliest stages of the Great War, the Royal Pavilion in Brighton was turned into a military hospital, and arrangements made there to accommodate the different dietary and other requirements of Hindu, Sikh and Muslim patients.

Snap decisions

Magazine article by Robert Cook, 2018

NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.

Poet of the Fleeting Moment

Magazine article by Simon Elliott, 2004

Mark Strizic's work crosses a broad spectrum of photographic fields including urban, industrial, commercial, and architectural photography.

Mrs Cameron and the V&A

Magazine article by Magda Keaney, 2003

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

Modern Australian Women

Magazine article by Gillian Raymond, 2005

Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.

Provocative talks on Saturdays in September

29 August 2016

Archived media releases 2016

Join The Saturday Paper’s chief political correspondent, Karen Middleton, for A Month of Saturdays – afternoon conversations bringing current affairs experts to the Gallery for engaging, real-time discussions about the topics that matter.

Atul Bhalla

by Khavita Singh

Artist essays

Atul Bhalla was born in 1964 in New Delhi. He frequently combines photography, installation, sculpture, video, painting and performance to question the human relationship with the natural and constructed environment.

Emmanuel at bedtime, 2011 by George Mifsud

To startle the eye

Magazine article by Joanna Gilmour, 2012

National Photographic Portrait Prize judge Joanna Gilmour previews the 2012 exhibition.

dumb & dumber from The Imponderable Archive, 2013 Samuel Hodge

Everything, everyqueer, all at once

Magazine article by Bradley Vincent, 2022

Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.

The Rays, 1970
Raindance Corporation, Frank Gillette, Michael Shamberg, Paul Ryan

Post digital

Magazine article by Tegan Mcauley, 2015

Tegan McAuley looks at the evolution of video portraiture.

Two painters

Magazine article by Dr Christopher Chapman, 2007

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.

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